No more waiting! It's arrived. All the navel gazing style dissection of the trailer no longer has to suffice to feed our appetite. The Walking Dead Telltale game, season 2, episode one, is here. And all is good in game land, for it is, like, awesome and stuff.
Robert Kirkman's mega successful franchise, The Walking Dead, has provided loads of opportunity for the creative explorations of a fan base keen to interact with the world of the zombie apocalypse. I've written elsewhere about the fervor of the Walking Dead fanfiction . Another opportunity for such interaction is provided by the Telltale game.
Fans of season one will certainly remember Clementine. She was kind of the object of the first season. The subject, if you will, the acting protagonist, Lee, was largely driven by his desire to protect her. However, as such fans will know, Lee is gone, and now Clementine has to fend for herself. Thus she has graduated to protagonist of season two. When we meet back up with her in season two, we already see how she has had to grow up, forced to make the hard decisions to survive the zombie apocalypse.
The almost universally celebrated game, in its second season, continues breathing new life into the adventure game genre, once left for dead by many a gaming aficionado. Its strength of the past carries through into the present, skirting the danger of lapsing into mere puzzle solving. Instead, the emphasis on dynamic and interactive story telling remains its forte. And these aren't empty choices.
The character's decisions about what to do, and even what to say, lead to real, often surprising and sometimes tragic outcomes. Furthermore, the game keeps track of decisions, many of which come back to haunt our main character - Lee last season, Clementine this season - from episode to episode. Indeed, it appears choices from last season can still have an impact in this new season.
It's not all the same though. As great as season one was, there are notable improvements, especially on the technical end, in season two. The graphics are much better: richer and more detailed. And the frame rate seems more stable. Clementine is able to walk now much faster than in the past. That is kind of good when gripped in on-the-edge-of-your-seat suspense.
My one complaint isn't a huge thing, but it does annoy me a little. And it is worth mentioning considering how much of the game's cache and value arises from its interactivity. The dialogue choices frequently struck me as excessively bi-polar. It seems I have to play Clementine as either a waif or a badass. She's either batting her eyes or spoiling for a throw-down. I think these options are too limited and don't get the most out of the story. I'll be watching that development going forward.
On the flip side of the coin, though, playing a young girl does provide for some interesting options that weren't available by playing Lee. Clementine can be coyly manipulative. This is a new and interesting option - especially for those of us who have never been young girls!
I am happy to report, though, that Telltale's greatest strength is still well on display in season one of The Walking Dead. I'm referring here to the moral ambiguity and dilemmas the player must navigate in finding the protagonist's way in the game world. For instance, are you prepared to make Clementine a killer right from the beginning?
Often to their own surprise and even lament, a lot of early players have done just that. What will be the long term consequences of this choice? We anxiously await what future episodes will reveal. This kind of moral turmoil is the real secret of success for the Walking Dead Telltale games, I believe. So far, in season two, all is looking bright for the future. Well, as long as you're not, you know, caught up in a zombie apocalypse, and the like.
Robert Kirkman's mega successful franchise, The Walking Dead, has provided loads of opportunity for the creative explorations of a fan base keen to interact with the world of the zombie apocalypse. I've written elsewhere about the fervor of the Walking Dead fanfiction . Another opportunity for such interaction is provided by the Telltale game.
Fans of season one will certainly remember Clementine. She was kind of the object of the first season. The subject, if you will, the acting protagonist, Lee, was largely driven by his desire to protect her. However, as such fans will know, Lee is gone, and now Clementine has to fend for herself. Thus she has graduated to protagonist of season two. When we meet back up with her in season two, we already see how she has had to grow up, forced to make the hard decisions to survive the zombie apocalypse.
The almost universally celebrated game, in its second season, continues breathing new life into the adventure game genre, once left for dead by many a gaming aficionado. Its strength of the past carries through into the present, skirting the danger of lapsing into mere puzzle solving. Instead, the emphasis on dynamic and interactive story telling remains its forte. And these aren't empty choices.
The character's decisions about what to do, and even what to say, lead to real, often surprising and sometimes tragic outcomes. Furthermore, the game keeps track of decisions, many of which come back to haunt our main character - Lee last season, Clementine this season - from episode to episode. Indeed, it appears choices from last season can still have an impact in this new season.
It's not all the same though. As great as season one was, there are notable improvements, especially on the technical end, in season two. The graphics are much better: richer and more detailed. And the frame rate seems more stable. Clementine is able to walk now much faster than in the past. That is kind of good when gripped in on-the-edge-of-your-seat suspense.
My one complaint isn't a huge thing, but it does annoy me a little. And it is worth mentioning considering how much of the game's cache and value arises from its interactivity. The dialogue choices frequently struck me as excessively bi-polar. It seems I have to play Clementine as either a waif or a badass. She's either batting her eyes or spoiling for a throw-down. I think these options are too limited and don't get the most out of the story. I'll be watching that development going forward.
On the flip side of the coin, though, playing a young girl does provide for some interesting options that weren't available by playing Lee. Clementine can be coyly manipulative. This is a new and interesting option - especially for those of us who have never been young girls!
I am happy to report, though, that Telltale's greatest strength is still well on display in season one of The Walking Dead. I'm referring here to the moral ambiguity and dilemmas the player must navigate in finding the protagonist's way in the game world. For instance, are you prepared to make Clementine a killer right from the beginning?
Often to their own surprise and even lament, a lot of early players have done just that. What will be the long term consequences of this choice? We anxiously await what future episodes will reveal. This kind of moral turmoil is the real secret of success for the Walking Dead Telltale games, I believe. So far, in season two, all is looking bright for the future. Well, as long as you're not, you know, caught up in a zombie apocalypse, and the like.
About the Author:
When you're keen to have the scoop on all the Walking Dead news , you should be following Mickey Jhonny's articles at the Pretty Much Dead Already blog. Gaming enthusiasts will want to read his review of the best games for PC that is entirely free!
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